4′ x 4′ x ∞ features work by Marissa Benedict’s New Landscapes course.
In the Dragon’s Keep
In the Dragon’s Keep features various artworks from Carousel — the Art & Technology BFA group. Through the closeness of artwork in a gallery with limited space, the show references themes of collection and childhood. Artists, embracing the concept of accumulation, transform the gallery space into one that is unexpectedly full.
Threads of Body
New work by: Noelle Herceg + Elnaz Talaei
LICK OF PARADISE
LICK of PARADISE merges lines of black, white, grey, silver by graduate students Hannah Petkau and Dana Buzzee. Harnessing the tension between Buzzee’s large wall-mounted webs and Petkau’s illustrative interventions, the charismatic objects of Lick of Paradise offers considerations of community, the natural world, and the confluence of the two.
Funeral + And They Were Roommates
Funeral” = Zane Bjorge + Daniel McNamara
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Is it dancing or lucid dreams or where forgetting is just as important?
Is it the material or figments of light or filled suspension? Is it a shared delusion living in the same space?
“and they were roommates” by Kale’a Calica-Younker, Kaitlyn McCafferty, and Kezia Setyawan.
BLUE
New work by:
Allison Schukis, Baily Thompson, and Claire VandenBerg
Kosmos / Three Bodies
Kosmos:
Featuring work in sculpture, fibers and found objects, kosmos is an
exposition that explores time as it relates to the artists’ individual
experiences. In their portrayal of time as an image, the artists’ seek
to create a discourse around the color pink regarding its historical
lineage. They intend to reclaim the color pink while also attempting to
stray away from the deeply ingrained traditional understanding of
femininity in our society. They want to convince the audience that pink
is a comfortable place of refuge as well as a representation of strength
and softness.
Emma DeRosia and Kate Chiddix
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Three Bodies:
Each element of this collaborative installation reflects an exploration
of the feeling of melancholy translated into a physical space. The use
of concrete sculptures emulates weight, frigidity, and suspension. The
nets represent entanglement, repetition of mindless acts as a form of a
coping mechanism, a meditative act in order to bind and hold together a
fleeting sense of self. The projections transform the rigid, immobile
sculptures into glowing, dynamic bodies.
Geordi Helmick, Eva Emter, and Koa Hencke
What Could Be More Agreeable
New work by:
Mark Drevdahl, Baily Thompson, Ky Francois, Ian Molloy, Devon Bodenhamer, Mady Maszk, and Siggi Bengston.
Excerpts and Collaborations
New work by Art BFA’s in Tannaz Farsi’s Installation Art course:
Elijah Denker
Eva Emter
Devon DeVaughn
Koa Hencke
Brendan Lenz
Mady Maszk
Jordyn Morrell
Madeline Olson
Megan Shull
Paige Van Doren
Katy Wallace
Qi Yang
Xinhui Zhou