“How do we move forward without recognizing what brought us here? What we eat, how we live. Who will take care of our home, if not us? It is a practice of maintenance that we engage with everyday. Though we are apart, the gestures and rituals of our past keep us close to home.”
Work by Irene Chau and Teddy Tsai
• bananas
• plums
• bread
• milk
• SUPERMARKET addresses the sensory and emotional narratives unique to store aisles. Production, repetition, sensory overload, familiarity, navigation, search and discovery, organization and impulse, nature and artificiality, need and consumption.
• yogurt
• flour
An exhibition by Hyperplum, this year’s Art and Technology cohort.
The University of Oregon School of Art + Design is pleased to present the work of 10 MFA candidates during their second of three years of study. Their compilation of diverse calculations hovers as an associative playground where connections between artists are unintentional yet accessible. Featuring work by Aaron Bjork, Talon Claybrook, Leah Howell, Sumer Khan, Daniel Miller, Neal Moignard, Stephanie Parnes, Aja Segapelli, Kayla Thompson and Jen Vaughn.
– Soon it will be the future. Which will be more like right now than The Future. Cars will hover but you’ll still have stains on the seats from that day you ate three Doritos® Cheesy Gordita Crunches® on your way to watch your 7 year old compete in a VR tennis match. No matter how High the Def. the real-time experience will always be enhanced and supplemented with the imperfect touch of a human mind. – DM/AB
Work by Aaron Bjork and Daniel Miller
Work from Tannaz Farsi’s Sculpture 393 class.
Irene Chau / Alex Harris / Joslyn Jones / Kyra Jorgensen / Gerald Merritt / Bryan Varga
A documentation of the spaces in-between, settings of anonymity, liminality and transition; the non-place. Here, the man-made is taken over, shadows are solid as earth, opposites interact, and overgrowth obscures all but the corners of narrative. This work takes inspiration from the New Topographics and from the photographic work of Robert Adams, Stephen Shore, John Divola, Lewis Baltz and Richard Misrach.
Desi Colley
Brad Hodgin
Ben Lucke
Video games made by Art & Technology Program students, mostly in the ARTD 410 Game Art course. Exhibition organized by faculty member Rick Silva
Today You Think You Will Empty Out Your Bones By Gaby Burkard / germaine.itch.io
Jumanji 2: Dark Jumanji by Liam Donnellly / tapesoft.itch.io
(with let’s play by Vinesauce) play through video
Curio by Aidan Grealish / aidangrealish.com
Millrace 2000: The Millrace of the Future
by Daniel Lopez / quasiotter.itch.io
,,,softfriends,,,
by Thomas Newlands / thnewlands.com
black+ ambiguous simulator
by Deandra Stokes / sweet-dee.com
In the garden surround
these light light
A light cutting
Work by MFA’s Kayla Thompson, Jennifer Vaughn, and Natalie Wood.
Exhibition of faculty and student work in the Product Design Department. The exhibition will be from Oct 23rd to 27th, and the opening event will be on Wednesday from 4 to 6pm at the LaVerne Krause Gallery.
Faculty
Kiersten Muenchinger
John Arndt
Trygve Faste
Wonhee Arndt
Hale Selek
Erdem Selek
Tom Bonamici
Students
Mikey Trueherz
Jerry Jiang
Brian Hoke
Ella Hansen
Xander CuizonTice
Sawyer Hagen
Caleb Williams
Yang Li
Stephen Tang
Eden Otenburg
Jeff Whitaker
Alex Tang
Yiming Ding
Brian Hoke
Angela Chen
Ella Hansen
Emily Friedberg
Ben Miosi
Masaru
Dana Goetsch
Dillon LaGrange
Josh Lyman
Genevieve Gallagher
Jacob Stranahan
Josh Lyman
Tin Le
Maelle Hily
Caleb Williams
Yiming Ding
Emilio Halperin
Elijah Klauder
(Not) your paint-by-the-numbers kit from Michael’s.
Not) something your five-year-old could make.
(Not) an image instead of an object.
(Not) an object instead of a image(???).
(Not) Dead is a collection of visual statements by Izzy Cho and Tricia Knope. This is a painting show(???) satirizing painting and its dichotomy between elitist inaccessibility and ubiquity within popular culture.
“The Last, Show of the Year” is a compilation of work from a group of undergrad artists Han Cao, Ross Doyle Jr., Austin Esterline, Michelle Ferguson, and Daniel Shaw, who have worked in close proximity for over 2 years. Their work has grown and changed, each influencing one another aesthetically and intellectually. This show marks the first time they have been able to exhibit some of those overlapping visual and conceptual concerns together.
