Three strangers have come together as colleagues to present a collection of work. There will be multiple pieces, from these individuals, in one space. The air in the room will be elusive, to say the least.
Includes work by Cullen Sharp, Kaitlyn Mccafferty, and Elijah Roth.
Space(s) seeks to disrupt dichotomies that create separations between realms: public vs. private, virtual vs. physical, interior vs. exterior. Our work is located somewhere between these boundaries, challenging the fragmentation of our bodies in the virtual world, and acknowledging the various ways that we as individuals navigate through and occupy space. Space(s) includes work by Izzy Cho, Michelle Ferguson, Tricia Knope, Marisa Smith, and Ariel Stach.
“How do we move forward without recognizing what brought us here? What we eat, how we live. Who will take care of our home, if not us? It is a practice of maintenance that we engage with everyday. Though we are apart, the gestures and rituals of our past keep us close to home.”
• bananas
• plums
• bread
• milk
• SUPERMARKET addresses the sensory and emotional narratives unique to store aisles. Production, repetition, sensory overload, familiarity, navigation, search and discovery, organization and impulse, nature and artificiality, need and consumption.
• yogurt
• flour
An exhibition by Hyperplum, this year’s Art and Technology cohort.
The University of Oregon School of Art + Design is pleased to present the work of 10 MFA candidates during their second of three years of study. Their compilation of diverse calculations hovers as an associative playground where connections between artists are unintentional yet accessible. Featuring work by Aaron Bjork, Talon Claybrook, Leah Howell, Sumer Khan, Daniel Miller, Neal Moignard, Stephanie Parnes, Aja Segapelli, Kayla Thompson and Jen Vaughn.
– Soon it will be the future. Which will be more like right now than The Future. Cars will hover but you’ll still have stains on the seats from that day you ate three Doritos® Cheesy Gordita Crunches® on your way to watch your 7 year old compete in a VR tennis match. No matter how High the Def. the real-time experience will always be enhanced and supplemented with the imperfect touch of a human mind. – DM/AB
A documentation of the spaces in-between, settings of anonymity, liminality and transition; the non-place. Here, the man-made is taken over, shadows are solid as earth, opposites interact, and overgrowth obscures all but the corners of narrative. This work takes inspiration from the New Topographics and from the photographic work of Robert Adams, Stephen Shore, John Divola, Lewis Baltz and Richard Misrach.