Funeral” = Zane Bjorge + Daniel McNamara
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Is it dancing or lucid dreams or where forgetting is just as important?
Is it the material or figments of light or filled suspension? Is it a shared delusion living in the same space?
“and they were roommates” by Kale’a Calica-Younker, Kaitlyn McCafferty, and Kezia Setyawan.
New work by:
Allison Schukis, Baily Thompson, and Claire VandenBerg
Kosmos:
Featuring work in sculpture, fibers and found objects, kosmos is an
exposition that explores time as it relates to the artists’ individual
experiences. In their portrayal of time as an image, the artists’ seek
to create a discourse around the color pink regarding its historical
lineage. They intend to reclaim the color pink while also attempting to
stray away from the deeply ingrained traditional understanding of
femininity in our society. They want to convince the audience that pink
is a comfortable place of refuge as well as a representation of strength
and softness.
Emma DeRosia and Kate Chiddix
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Three Bodies:
Each element of this collaborative installation reflects an exploration
of the feeling of melancholy translated into a physical space. The use
of concrete sculptures emulates weight, frigidity, and suspension. The
nets represent entanglement, repetition of mindless acts as a form of a
coping mechanism, a meditative act in order to bind and hold together a
fleeting sense of self. The projections transform the rigid, immobile
sculptures into glowing, dynamic bodies.
Geordi Helmick, Eva Emter, and Koa Hencke
New work by:
Mark Drevdahl, Baily Thompson, Ky Francois, Ian Molloy, Devon Bodenhamer, Mady Maszk, and Siggi Bengston.
New work by Art BFA’s in Tannaz Farsi’s Installation Art course:
Elijah Denker
Eva Emter
Devon DeVaughn
Koa Hencke
Brendan Lenz
Mady Maszk
Jordyn Morrell
Madeline Olson
Megan Shull
Paige Van Doren
Katy Wallace
Qi Yang
Xinhui Zhou
Featuring work from the 2019/20 BFA class, this show is an interdisciplinary exploration of Conceptual Art. Varying from absurdity to poignancy to critique, Pointing at Things is an exhibition that guides the audience towards questions and ideas to consider, embracing ambiguity to generate thought.
New work from Shanti Bartz, Siggi Bengston, Ky Francois, Ariel Lenkov, Kate Liu, Clancy O’Connor, Madeline Peveto, Jordan Pickrel, Allison Schukis, Madison Skriver, Noel Strohm, Baily Thompson, and Clara Wolff.
Sense of Space is an interactive virtual reality sound installation. Participants are encouraged to interact with the virtual reality world and the gallery space to alter sounds and visuals. I am interested in creating new types of interaction between people, where participates can play with technologies like 3D scanning and mixed reality.
Exhibition by Amanda Langley, an Intermedia Music Technology Masters Student in the School of Music and Dance.
New work by:
Sydney Stark
Devon Devaughn
Siggi Bengston
Sam Wrigglesworth
Mady Maszk
Madeline Peveto
Kate Liu
This year Kitchen Sync wants to know how you have fun. PLAY is a process. Whether following the rules, making your own, or throwing the whole book out the window, your ability to explore new ideas and risk failure is an overlooked, but essential part of creativity. Take a risk. There is no right or wrong way to PLAY!
https://www.kitchensyncmag.com/
New work by Grave Levin, Jordyn Morrell, Madeline Olson, and Marcella Rosen
~A group art show “Fish Tank” will be open October 14th through October 18th at the LaVerne Krause Gallery
~Reception: October 17th 5-6 PM
*Artists mediums will focus in fibers, digital arts, interactive work, painting and sculpture*
I hope to see you at the reception, where there will be fish themed foods and beverages.
Spanning across media and perspectives of subjectivity, Cohrot II features a hodgepodge of styles, methodologies, and research interests carried out by the 2nd year MFA cohort. Artists Sajad Amini, Tierney Anderson, Devon Devaughn, Eden V. Evans, Tannon Reckling, Ian Sherlock Molloy, Caroline Trainer, Nathan Alexander Ward, Carol Yahner, and Kevin Yatsu demonstrate the advancement of their personal trajectories through increasingly pointed analysis and experimentation.
