“remains of the day”

 

“Because I know that time is time and place is always and only place and what is actual is actual only for one time and only for one place, I rejoice that things are as they are and I renounce the blessed faces and renounce the voice because I cannot hope to turn again.”

― T.S. Eliot, Ash Wednesday

In his poem, Eliot rejects the idea that time and space are interlinked. However, in our exhibition “remains of the day,” we intend to see photography as the medium that provides evidence and traces, binding time and space together in its symbolic representation and indexical mediation.

Either the silent passage of people, water stains on the ground, or the delayed rays of a sinking sun, Xinyu sees his photographs not only as imprints of what has happened but also as the process when the transients turn into the eternal. In Xinyu’s photographic works, the perspective constantly shifts around the peripheries. Through his visual transformation, the mechanical time is disrupted in the process of recognizing “now,” thus forming a unique presence in time and space that negates temporality.

In Epistolary Anthology, photographs made of a single tree canopy along a prairie walking path hold space for free verse that meanders through moments of reflection and nostalgia. Entering a collaborative practice of momentary, focused explorations, Adam and Charlotte point towards the universal through life’s fragmented moments, but never fully arriving to a conclusion. The interest that fuels this collaborative work lies in constructing new wholes from gathered parts, seeking not to answer, but merely play with the question of what is unspoken.

In Pearl Road, Colton looks to the landscapes of his youth in Montana and Idaho to explore the metaphoric relationship between land and body from a personal queer perspective. Colton’s photographs confront the marks left in the landscape both psychologically and physically to subvert ideas around manifest destiny and resource extraction in the Western United States where solitude and escape coexist with heightened visibility.

 

Nurtured Spaces

“Nurtured Spaces is a multimedia exploration of belonging, resilience, and self-discovery. These spaces foster intimate conversations that encourage vulnerability and openness, allowing individuals to share their stories. Nurtured Spaces invites everyone to reflect, grow, and find a sense of community in their shared journeys.”

Miyako Barnett
Katie Springer
Luna Pelaez
Amelia Koh
Aubrey Jayne

 

 

New Oasis

 

 

 

 

 

 

2nd Year MFA Exhibition featuring work by:

E Franco Aguilar
Elri Friedman
Parisa Garazhian
Maryam Keshmiri
Afsaneh Javadpour
Yalda Eskandari

 

Side Conversations

Featured Artists:
niko berger
lily brammer
hunter garcia
katy heatherly
talia jeffrey
madeleine klein
elizabeth krieter
chloe lee
devon martin
lily masl
sadie miller
sophie paprocki
giancarlo penalba
ilka sankari
kyler shahalami
valery tsai
ellyce whiteman

Something about the Body is an exhibition of ten sculpture students whose work investigates the human body as a subject and object. Their work, in turns, implicates our bodies as viewers and engages in the question of how to represent a body? Ideas that bounce around the room range from empathy and care to horror and brutality — sometimes all at once .

Karina Acuna
Carlos Anaya
Jacqueline Beecher
Peyton Forth
Elliot Hanson
Morgan Higgins
Archie Lawson
Hannah Oldham
Breanne Swindle
Breanna Waters

AV CLUB

Pixelgarden’s AV CLUB is a collection of audio/visual pieces made by gradutating Art and Tech BFAs. The show indulges in nostalgia while simultaneously developing a prospective view into how we will understand audio and visual input. AV CLUB invites the notions of nature, nurture, art, and technology into conversation.

VIRGINIA BOUTWELL
CHLOE LEE
TALIA JEFFRY
ESTELLA PRYOR
KYLE SHAHALAMI
VALERY TSAI

Clusterf*ck

“Clusterf*ck encapsulates the relationship between collective memories and the obscurity of childhood. Our works represent the messy, disruptive, and ambiguous nature that takes upon self-discovery. Come in and immerse yourself in the mind of five unpredictable artists and their subjected realities.”

Calize Yepez

Bella Oliver-Steinberg

Tony Hooks

Mario Castro

Jonah Gomez Cabrera

 

SURGE

 

 

 

 

 

 

 

 

 

Increasing suddenly, powerfully and intensely. SURGE is an uncontrollable growth and a breaking of 2 dimensions through an exploration of sculptural form. Emphasizing the process of creation and impermanence, we highlight surges of emotion and delve into the vastness of identity and human existence.

Niko Berger
Abhishek Kulkarni
Breanne Swindle

 

Over and over again

In the 2nd Year Exhibition “Over and over again”, five artists collectively explored the theme of repetition in their artistic expression. Such repetition does not only refer to the repetitive process of art labor, but also draws repetitive semiotics, materials and memories from shards of daily life. Through the process of repetition, the artworks refract those representations and emotions hidden behind the facade of social structure and converge them into a collective psychological inquiry for the audience to digest familiarity – like Freud wrote, “every finding of an object is in fact a refinding of it.”

On display September 26th-October 5th featuring work by Adam DeSorbo, Xinyu Liu, Kate Montgomery, Jens Pettersen, and Gracie Rothering.

“Ghost Forest” + “Wildfire”

Following the devastating 2020 wildfires in Oregon, Sarah Grew collected black coals from the fires that she then used through extensive research and experimentation, to create carbon prints of recorded images of the forests themselves. Her process and its resulting prints, with their frilled edges and torn emulsion echo the way natural fire cycles can surmount devastation to provide nutrients to the soil, force a pinecone to disperse its seeds, or shape the landscape, in contrast to the extreme intensity and size of the fires that are now common. The photographs show us the beauty being lost to human negligence and the climate crisis. Printed as lantern slides, the forest memory is held captive on sheets of glass accentuating both the fragility of life and our precarious position. Hung at various heights the viewer is invited to move through the Ghost Forest, witnessing a range of natural elements.

The exhibition at the LaVerne Krause Gallery will also include Jon Bellona’s sound installation Wildfire—a 48-foot-long speaker array that plays back a wave of fire sounds at speeds of actual wildfires. An instructor of audio production in the School of Music and Dance, Bellona hopes the installation will allow viewers to embody the devastating spread of wildfires through an auditory experience.

Sarah Grew creates art based in painting and photography, that expands into installation and environmental art and contracts into collage and printmaking. Her work includes a range from public art projects to wall based pieces belonging in private collections nationally and internationally. In researching the concepts that enrich her work she has become a beekeeper, studied native plant habitats, and worked as an Artist-in-Residence for a recycling facility in California. Recently, she was an artist in residence on a science research boat studying the effects of climate change on the plankton food web. Previously, Grew was awarded residencies at Sitka Center for Art and Ecology, Playa Artist Residency, the Djerassi Resident Artist Program, Joshua Tree National Park, the Collegeum Phaenomonologicum in Italy, Brush Creek and the Ucross Foundation. She has also received several support fellowships from The Ford Family Foundation.

Jon Bellona is a sound artist who specializes in digital technologies, and a Career Instructor of Audio Production within the School of Music and Dance at the University of Oregon. His music and media explore environmental sustainability, data-body interactivity, digital musical instruments, site-specific sound, and choreographic composition. Bellona is a co-director of Harmonic Laboratory, an interdisciplinary arts collective focused on art and technology collaborations. His work has been shown in concerts, festivals, and galleries across North America and Europe.